& quarantine cinema
Mummers plays were once common throughout the British Isles. Mark Jaster‘s script is based on many years creating and performing versions for the Washington and Cambridge Revels, and on many older original texts, some much much older. Our production was filmed masked and distanced for the 2020 Virtual Washington Revels. Videography & Editing by Sharon Crissinger.
In honor of Hallowe'en and because we were unable to perform CABARET MACABRE live this year, we performed a DANSE MACABRE parade through several neighborhoods on October 31st. The event was filmed and edited by Sharon Crissinger into the lovely video below.
RECREATION is the third in this series of experiments by Happenstance Theater. The ensemble submitted short videos and recorded text based on the prompt “RECREATION” which were then edited into this film by Sharon Crissinger. Soundtrack by Matt Pearson.
THIS IS AN INCREDIBLY CHALLENGING TIME FINANCIALLY FOR US AS ALL OF OUR GIGS AND PERFORMANCES HAVE BEEN CANCELLED. IF YOU WOULD LIKE TO SUPPORT HAPPENSTANCE, PLEASE CONSIDER MAKING A DONATION HERE:
AND COMING SOON...
Up next is an exciting project. Sign up for our email list to be the first to know when it is released.
A THEATRICAL-WEBSITE-COLLAGE IN ACTION
We will soon be launching an interactive website called THE JUXTAPOSE TENEMENT.
This virtual shadow-box, tenement building will feature portals through which visitors glean poetic glimpses of characters, environments, and fantasias.
This show was originally conceived as a live performance and began development as part of a residency at Joe's Movement Emporium. It took as its inspiration the shadow boxes of Joseph Cornell, the films of Jean-Pierre Jeunet, nostalgia, ephemera, mass-extinction and the Anthropocene, discovery, creation, play, attachment and letting go.
When the global pandemic hit and all live performance became dangerous, we were not sure how to proceed. In many ways the crisis resonated so well with some of the themes we were exploring, but how to continue the work when we couldn't gather as an ensemble and had no live performance option?
Then Sabrina, in her Visionary Tornado way, had an epiphany...
JUXTAPOSE (the play) had been set in an imaginary tenement building - with the feeling of a turn-of-the-century boarding house - inhabited by eccentrics whose journeys, within the container of this dwelling, become art. What if we could continue to play with the characters that we'd developed and use video to create rooms and portals within a virtual tenement building? We could film both in isolation and do group work outside at the Happenstance Atelier with plenty of room to adhere to physical distancing guidelines.
And then we could invite guest artists to create rooms to house and share their imaginings. This Tenement assemblage will be an artistic feast for visitors to inhabit for a spell.
And so, as if by Happenstance the project is finding its way to fruition.
At their best, the screens that people find themselves in front of are like Cornell's boxes: inspiring places where we can lose ourselves in the poetic dreams of others. Using simple video techniques, Georges Méliès inspired film magic, manipulation of objects, puppetry, physical theatre, theatrical clown, sound layering and vintage spectacle, we are conjuring portals to hope.